On My Desk

owls progress

Despite flirting with the acrylics last week, I am back into watercolour and watercolour pencil. Some things you just can’t fight. That’s what the owls seem to want, and if I am honest it’s what I want too.

When I have completed the first set I’ll come back in with pen around the main characters, but my main focus for this book will be on colour and action.

I am very happy with the Fabriano 4 drawing paper. If it were just a little heavier I would prefer it to Bristol Board. It is holding enough water to suit my needs, but in some ways with the smooth and sealed drawing surface (instead of using an absorbent watercolour paper) the watercolours are behaving more like acrylics. I’m happy with that.

Play Time

Today (after a tidy-up in the studio) I assembled all my pages and sketched a few more little owls fluttering their way up and down the tree. In the sorting of the storage area (not quite chaos) I found the remains of a block of drawing paper I had used for preliminary sketches for clients wanting a fresco in their ancient house some years ago. The paper is Fabriano 4, 220gsm smooth, and is about the weight I need; I have run out of the Bristol Board I was using in New Zealand. I thought I would try it with some Derivan Flow acrylic.

blog loosen up post

This isn’t an illustration for the book, but it was a couple of minutes of play time, exploring how much paint and water this paper will take, and loosening up my hand after some intense concentration in smaller, more detailed works. I think that the paper is going to be perfect for the light-weight acrylics, provided I drop my brush size down just a little to match. It doesn’t cockle (warp or wrinkle as it swells with the water) unless I use a very watery wash, and the acrylic slips and slides wonderfully on the surface. Best of all, it is available in my village, a two kilometer wander along the side of this beautiful mountain.

Can I build up an atmospheric background without it wrinkling too? Onwards…